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WELCOME TO THE BACKSTAGE
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Projection test for the Names memorial, the room is still empty now. Our Colonial Heritage

24.05.2022 at 15:17 by Wendy Snoek

Growing steel structures. Growth, what is that?

05.04.2022 at 14:00 by Lucandrea Baraldi

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01.02.2022 at 17:34 by Remco Swart

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07.12.2021 at 17:33 by Pauline Fer

Work in progress for Museum Sophiahof. In progress…

02.12.2021 at 17:28 by Remco Swart

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Work in progress for a children's tour Work in Progress

25.11.2021 at 09:35 by Annika Jacobs

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Barefoot in an exhibition? Together with the Stapferhaus, we are looking at what this means for the perception of the visitors... Nature

24.11.2021 at 18:23 by Robin Schijfs

With a few kickoff days (and nights) in the mountains of Switzerland, we have firmly started the draft design for the new Nature exhibition at the Stapferhaus! Nature

30.09.2021 at 11:09 by Robin Schijfs

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Cleaning out tree routs before they will be lifted to the ceiling Groote Museum

25.09.2021 at 12:29 by Michel de Vaan

Milling earth elevation minus water from a special foam. Here we show how little drinking water there actually is on earth. Groote Museum

30.06.2021 at 12:04 by Michel de Vaan

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Super exiting moment discovering the panels of the « 4 visions on the Anthropocene » box we made for the Vienna Biennal 2021! Work in Progress

12.05.2021 at 12:00 by Lea Chenot

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A big empty space, right before installing all exhibits at WeTheCurious! Project What If

01.02.2021 at 12:19 by Ina Meininghaus

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Safety vs. functionality: looking for the best headphones to use in a factory Expedition HVC

07.01.2021 at 17:39 by Roel Bolhuis

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The new temporary exhibition in House of European History is 'under construction' Fake (f)or Real

07.01.2021 at 17:32 by Tsur Reshef

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The last steps before the Coronel Pavilion at the Portuguese-Israeli Cemetery Beth Haim is opened! Coronel pavilion

29.11.2020 at 14:30 by Remco Swart

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All in good hands with Fiction Factory Museum of the Mind

07.11.2020 at 17:32 by Femke Bijlsma

holy puzzle

Dead Sea Scrolls

Drents Museum, Assen (NL)

The discovery of the Dead Sea Scrolls was one of the most revolutionary finds of the twentieth century.  This exhibition presents a total of sixteen scrolls. These scrolls are of vital importance for our knowledge of early Judaism and Christianity. Several fragments have not previously been shown to the public. Alongside the manuscripts, the exhibitions comprises over 400 special objects that hail from old Judea, Masada, En Gedi, Jerusalem and the caves of Qumran, which place the manuscripts in the cultural and historical context of the Greek-Roman period.

Location
Assen (NL)
Client
Drents Museum
Year
2013
Surface
890 m2
Status
Temporary
Role
Concept, Spatial design, Graphic design
Team
Michel de Vaan (lead), Herman Kossmann, Sietske Sips, Andreas Tscholl, Martin Saemmer, Pauline Fer
Building and realisation
Iris vormgeving BV, Facilitaire dienst Drents Museum, JPS2, Artcare
Lighting design
Frank Hulsebosch, Lichtpunt
Sound and soundscape
dB Audiovisueel, LPMA Recordings
Film
Tungstenpro
Printing
Rijnja repro, Exposize, Multicopy
Image of an era

The exhibition introduces you to the era in which the manuscripts were produced and collected. Thematic vitrines display important aspects of daily life, such as the importance of cleanliness and water, but also the writing and burial culture. The uprising of the Jews against the Romans in 66 AD, and the subsequent war and destruction of the temple in 70 AD, led to the flight of the Jewish people. Everyday objects, scrolls of writings, but also a robe in which a deceased child was wrapped, are dramatic proof of this flight.

Discovery

In ‘The Discovery’ pavilion, a film together with some objects, tells the unusual story surrounding the discovery of the Dead Sea Scrolls in eleven caves near Qumran, between 1947 and 1956, and the journey the manuscripts have undertaken since then. The central square in the exhibition immerses you in an abstract desert. A strong light source casts long shadows of the visitors present, while a mysterious soundscape enhances the sense of being in a desert. Screens show film fragments of interviews with scholars.

Interpretation 

The central square gives access to three pavilions, among which the space in which the fragments of the Dead Sea Scrolls are exhibited. Here you get to know how to interpret a fragment and are given translations of the texts. ‘The research lab’ dissects the Dead Sea Scrolls as archaeological artefacts. Visitors are challenged to discover more about the meaning of the text, the shape (material, type of script) and the conservation. ‘The three Abrahamic religions’ pavilion displays an old Bible, Quran and Torah.

The exhibition was conceived in close collaboration with guest conservator Prof. Dr. Mladen Popović of the Qumran Institute, The Department of Theology and Religious Studies of the University Groningen, and curator Adi Ziv of the Israel Antiquities Authority in Jerusalem.

Awards

International Design Awards 2013

Interior Design, gold